Midwest Americana
By Jared Gudnason
Writer/Reporter
Bands don’t tend to tour Minnesota in the dead of February, and for pretty good reason. Bands
would have to cancel shows here especially in my early 20s, because the highway from Fargo to
here would be wholly unsafe to drive. Furthermore, back in my hometown, a punk band from
Seattle once traveled over 1,000 miles to play at the university, and like, 30 people showed up.
Barely enough paid admission for them to fill up the tank to get to their next show. One of my
favorite music memories.
There isn’t a pipeline really, but bi-coastal bands that come up in the independent/punk music
scene, when the first musical endeavor breaks up or calls it quits, they start shoegaze bands.
Shoegaze is labeled as a genre as such because the composition is pop-centric, but as a guitar
based genre, that instrument itself is sustained in reverberation. Landlocked bands, such as those
originating in the Midwest, tend to opt more toward the country/western genre. Two weeks ago
in southwest St. Paul, I saw the band Cowboy Thoughts.
When they first stepped onstage, I completely thought there was just a guy who was going to
sing back-up vocals but also at center stage. I assumed wrong, because he sang for the first
song, and then came back later in the set for another. The man has my empathy because he is an
instrumentalist in Cowboy Thoughts, but an injury prevented him from playing what I assume is
guitar. Within the last 10-12 years there has been a resurgence in Midwest Americana, especially
here in the Twin Cities, namely due to bands like Minneapolis’ Cactus Blossoms. Cowboy
Thoughts can be found on Instagram at cowboy_thoughts, and their set that evening went for 50
minutes, or more. Reminiscent of both 1960s Patsy (for Patsy Cline) and early 2000s Loretta
Lynn, I hope to see them again sooner than later.
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